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Admission is $33 for adults, $25 for children ages 3-11, $27 for seniors 60 and over. * “WaterWorld-A Live Sea War Spectacular” previews at unscheduled times daily this week and next. “It has got to look as bitchin’ as the movie.” “This is not just a stunt show,” Bension explained. They are choreographed as close to the audience as possible, close enough that guests feel the heat of explosions on their faces and breathe the acrid scent of smoke. Still, park executives are pleased with the result.Īll the stunts and effects have taken shape as planned. The length of construction caused the show to open after peak season. Universal now hopes to meet those expectations.
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“A lot of people have seen ‘Waterworld’ and they come here with a certain level of expectation,” Timon said. Last summer, however, crowds often lingered outside to watch construction. After much heroics and more fireworks, he repels the invaders.īecause all of Universal’s attractions are included in the admission price, it will be impossible to gauge if the show attracts enough visitors to justify the cost. When all seems lost, the Mariner appears. An actress sails into the lagoon with news of the mythical “Dryland.” Rival “smokers” arrive soon after, attacking on Jet Skis and a boat equipped with a Gatling gun.ĭozens of pyrotechnics ignite as a 20-foot tower collapses into the water. Stunt men and women inhabit these environs, acting a story that loosely follows the film. The set is adorned with literally tons of props-barrels, nets, light fixtures and a phony shark carcass-all of it shipped from the “Waterworld” set in Hawaii. With stunts in place, Universal built a rusted, sheet-metal facsimile of the film’s desolate atoll.
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The catapult worked so well that Universal built a smaller version to fling a Jet Ski as well. “We control that explosion by radio frequency.” “What gets even more insane is that we put pyrotechnics on the plane,” said Norman Kahn, the project manager. The contraption is governed by computers and anemometers that instantly abort the stunt if gusts threaten to push the plane off course. Universal’s engineers assembled a catapult that could launch a craft with a 30-feet wingspan high over the set. “We laughed and said, ‘Oh, it can’t be done,’ ” Timon recalled. He thought about crashing a full-scale plane, with no tether attached, in front of the audience.
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They also engineered stunts that can be repeated for up to 10 shows a day.īut artistic director Jim Timon wanted more. Designers re-created the film’s dazzling effects at a fraction of the price. Jet Skis and boats, made to resemble the film’s ramshackle war craft, fill the lagoon. But with its immense set and copious special effects, “WaterWorld” costs three to four times more than other live shows at the park. And the attraction features many of the same physical gags that composed Universal’s original cowboy show many years ago.